1974

Police Woman
6.6

Police Woman

Sergeant “Pepper"” Anderson, an undercover cop for the Criminal Conspiracy Unit of the Los Angeles Police Department, poses undercover from mob girl to prostitute.
SuperDragon: The Bruce Lee Story
4.8

SuperDragon: The Bruce Lee Story

Considered the first biopic of the legendary Bruce Lee, fact blurs with fiction in this low-budget, loose interpretation of the great martial arts expert's life starring Bruce Li, the most well known Lee impersonator. The film takes a look at Bruce's humble beginnings as a paperboy to his rise in fame as a martial arts phenom, who later gets tangled ...
Happy Days
7.4

Happy Days

In 1950s Milwaukee the Cunningham family must contend with Fonzie, a motorcycle riding Casanova.
The Sound of Petula
0

The Sound of Petula

Best friends Sophie and Agatha navigate an enchanted school for young heroes and villains — and find themselves on opposing sides of the battle between good and evil.
NOVA
8.7

NOVA

1974

NOVA

PBS' premier science series helps viewers of all ages explore the science behind the headlines. Along the way, NOVA demystifies science and technology, and highlights the people involved in scientific pursuits.
The Izu Dancer
7.2

The Izu Dancer

While vacationing in the Izu peninsula, a high school student Kawashima becomes intrigued by Kaoru, a pretty young dancer in a troupe of travelling performers, and he tags along with them on their journeys.
Sins of the Flesh
5.4

Sins of the Flesh

Benoit has been driven to voyeurism and impotence due to having a cold, treacherous industrialist as a father and an exhibitionist aunt who constantly parades around nude. Jean-Pierre is a thief. Isabelle is a runaway whose stepfather tried to rape her. When the three cross paths, criminal activity, rape, madness and murder follow in this psycho-drama filled with soft-core sex.
Mr. Axelford’s Angel
8.4

Mr. Axelford’s Angel

A romantic tale of a scatty secretary and a stuffy boss.
Philadelphia, Here I Come
6.7

Philadelphia, Here I Come

Friel contrasts Gar's cloistered emotional life with his gregarious social persona by portraying him as two distinct characters, a public self (Donal McCann) and a private self (Des Cave).